Friends have asked me why I’ve invested so much time and expense in radio gear since I mostly write for print. Simply put, I love turning in fully produced, turnkey stories and radio shows pay more for the effort. Piecing together music, interviews and sound effects is like creating an editorial illustration, which is something that I’ve done for years and enjoy. Both are very visual and conceptual mediums.
Of course, you don’t need as much gear as shown in the photo to freelance in radio, but I plan on doing more in the near future – an eye-opening experience for any freelance writers who want to do more.
A: Marantz PMD670 digital, two-track audio recorder – Marantz makes smaller, lighter recorders now (PMD 660, 661) but they don’t have as many features as the full-sized recorders, and their preamps are a bit noisy. Oade Brothers offers a nice retrofit that really improves noise on all Marantz digital recorders
B: Sennheiser MD46 cardioid dynamic microphone – Great interview mic with low handling noise and a heart-shaped pickup pattern that records from the front and sides. Durable, too. It’s survived a few drops
C: Gooseneck mic stand – Heavy but solid. Cast iron base isn’t easily knocked over
D: Audio-Technica microphone shock mount with hotshoe adapter for use on my DSLR camera
E: Audio-Technica AT835b condenser microphone – Directional mic that’s useful for noisy rooms or to record sound from afar. Very sensitive to handling noise
E: 2 XLR mic cables 5-foot/15-foot for use with the Marantz recorder
F: Sony MDR-7502 field headphones
H: Church Audio preamp – Gives my small recorders a pickup boost when using less sensitive dynamic mics. Also improves the sound on my DSLR when recording video
I: JK Audio Quick Tap – Allows me to record decent quality telephone interview sound for broadcast use
J: Audio-Technica ATR-3350 wired lavalier mic – Great way to get clean and consistent sound from a subject that’s either moving or in a loud room. I’ll use this lav mic with the Olympus LS10 clipped to the subject’s belt or in a pouch
K: Olympus WS-300M digital recorder – It’s small and can plug directly into the
computer like a USB thumb drive. I still use it to record ambient sounds or sound effects like a closing door, footsteps, restaurant noises. A single AAA battery doesn’t give you much recording time
L: Olympus LS10 digital recorder – Great small recorder that I use for all of my print story interviews. It has good preamps so also works very well for radio
M: JVC earbuds – Low profile way to monitor sound
N: Church Audio 1/8” plug-in omnidirectional dynamic mic – Cheapest way to drastically improve recording quality on a small recorder
O: Sony MDR-V6 studio headphones – I use these “cans” while doing sound editing on my desktop computer at home
1 XLR to 1/8” mic cable for small recorders
Bogen monopod – I use this if I need a boom for the mic. Works alright but heavy. I’ll eventually buy a Rode Boompole
Asus 15” laptop and desktop with Sony Sound Forge and Audacity. Ideally, Pro
Tools is the standard software editor in radio but it’s expensive and has a steep learning curve.
Audacity is free, feature rich and Sound Forge allows me to clean up the work
Sennheiser G3 wireless lav mic – Great wireless system but pricey. I borrow this from a friend when needed